Dana's Welcome
- 31 March 10
All the latest opportunities from
DaDa-Disability and Deaf Arts

Dana's Note........................................................................................1
DaDa Disability and Deaf Arts latest.................................................2
Jobs at DaDa-Disability & Deaf Arts..................................................2
Disability Arts News...........................................................................3
Why the arts matter..........................................................................3
Male co-presenter wanted for a new television series......................5
Youth Theatre leader wanted............................................................6
Feedback............................................................................................6
Contact International Forum.............................................................6
European Research visit....................................................................7
St Helen's Festival.............................................................................8
Arts Jobs.............................................................................................9
Craft tutors, Ministry of craft..............................................................9
Get into reading, Project Worker........................................................9
Disclaimer..........................................................................................10

Any items for the next newsletter should be sent to news@dadahello.com or dana@dadahello.com by 3.00pm 6th April 10 Please keep the articles short (75 words or less is ideal), and in plain text format.
Dana's Note
Hello to you all,
The grim weather has returned to haunt the streets of Liverpool, but there's some sunshine in the pages here. Enjoy the nectar.
Yours,
Dana
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DaDa Disability and Deaf Arts Latest
Jobs at DaDa-Disability & Deaf Arts
We are at an exciting point in our 25 year history and have new positions on offer to create a team that will continue to offer the best experiences and opportunities in disability & deaf arts and culture. They are:
1. DaDa Live Coordinator - Freelance work - 120 days over 2 years £14,000 fee
Working with project partners to create a sustainable and accessible high quality progressive performance and live arts programme; to further the development of Disabled/Deaf young people through performance art forms.
2. Operations Director - Full Time Scale Point 32-£27,052
Providing overall operational management for all DaDa activity and management of staff as well as the professional development of artists and widening participation of deaf and disabled people of all ages through arts projects. This includes developing and sustaining relationships with external partners - particularly arts and cultural organisations, fundraising and recruiting freelance staff. The role includes securing additional funding, managing all DaDa staff except the CEO, and developing and sustaining relationships with external partners - particularly arts and cultural organisations

3. Marketing Officer - Full Time Scale Point 26-£22,221
Implementing the DaDa marketing plan, including preparing the newsletter, promotional material, developing and maintaining a central client and partner database, and supporting DaDa project staff with the development of promotional material.
Closing Date for Applications: 5pm on Monday 19th April 2010
For an application pack [accessible forms available on request], contact Faye Christiansen at DaDa - Disability & Deaf Arts The Bluecoat, School Lane, Liverpool, L1 3BX faye@dadahello.com 0151 707 1733 [T], 0151 708 9355 [F], 0151 706 0365 Minicom www.dadahello.com
You can also download applications online at: www.dadahello.com/news
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Disability Arts News
Why the arts matter
The following statement has been edited.
The arts are valued, they really matter, they are essential to our quality of life. Culture is central to any government that places quality of life and creative opportunity at the heart of its agenda. The arts broaden horizons, stimulate fresh ideas, provide pleasure and raise aspirations - they inspire and sustain the spirit. More people are enjoying the arts than ever before (76 per cent in 2008/9 ). In the last eight years the total number of performances has increased 15% while attendance at these performances has increased by 41% . In the last four years the total number of exhibition days increased by 115% while attendance at these exhibitions increased by 158% . The considerable benefits the arts can bring in other areas - social, economic, and to general well-being - begin with the quality of the art itself. And Britain has invested in this artistic excellence for the long term. A UK-wide international success story thanks to sustained investment. We have tried arts cuts before - they led to a sharp decline in audiences, deteriorating venues and infrastructure, a hand-to-mouth existence, lack of enterprise, and a loss of artistic nerve. It took many years to rebuild them. Now, thanks to 10 years of increased government funding, and the impact of the introduction of the Lottery in 1994, arts and creativity are thriving. There are larger audiences for the arts than ever before; we have visionary leaders; entrepreneurial business models; a global reputation for excellence and innovation; enhanced arts facilities, and a growing creative economy built on a new spirit of creative confidence. We want to seize the next epoch, to build on our strengths to ensure that everyone has the opportunity to access the very best of the arts and that the arts continue to thrive, which is why we are developing a 10 -year framework for the arts which will deliver great art for everyone.
The arts are undoubtedly one of our greatest success stories- they have helped make this country the place to live, work, visit and do business: why jeopardise this success for a miniscule saving to the public purse?
Cut investment in the arts and the spiral of decline will be swift - not only in audiences, quality and talent, but also in the impact on the creative economy and on Britain's world standing and sense of identity and self-confidence. The arts budget is tiny, the return on investment is huge
we have world-class art, leadership and talent, and a sector that - with its reputation for dynamism and excellence - does more than most to enhance the image of Britain at home and abroad. For every £1 that the Arts Council invests, £2 follows from elsewhere, totalling £3 income .
We are a sector which fuels the creative industries and generates future jobs in one of the fastest growing parts of the economy. The arts feed the creative industries, which are fundamental to the future competitiveness of British business and are seen as our best route out of recession. The creative industries accounted for £59.9b or 6.2% of UK Gross Value Added (GVA) in 2007 . They grew by an average of 5% per annum between 1997 and 2007. This compares to an average of 3% for the whole of the economy over this period. They account for £16.6b in exports and nearly 2m jobs. We are a sector that gives Britain an international edge as an exciting and creative place to be. We are a sector with a proven track record of regenerating cities and contributing to cohesive communities
Arts and culture are often at the heart of successful places and help boost local economies. Any cut will have a disproportionate effect. There is no firewall between the publicly funded arts and the private sector: the success of the creative economy depends on both. Because of the unique ecology of the arts - the positive knock-on effect into other areas, and the ability to punch way beyond their weight - the impact of any cut in public investment will be disproportionate. For example, for every £1 that is lost from the Arts Council's grant-in-aid, an additional £2 is put at risk, because of the economic leverage of that pound. Even small cuts to its core grant can force an arts organisation into a vicious circle of lowering quality, declining audiences, reducing ambition and attracting less income from other sources. In the end, cuts cost far more than the extremely small sums they save. Sustained support of the arts will allow them to play a vital role in Britain's economic recovery We are investing in tomorrow's talent, in tomorrow's wealth creators, in our children and young people, in our future wellbeing. Artistic enjoyment and creativity have never been more universal, more innovative, more easily distributed, shared and exchanged. Even more significant is the quality of the personal experience and the valued resource it can offer an individual over a lifetime. Let's keep public money working hard as venture capital investment. 10 years of sustained investment has formed the bedrock of this nation's outstanding artistic achievement, creative energy, entrepreneurial spirit and pride in place. Whoever wins the election, government will want to ensure that public funds are used in the most cost effective way. The Arts Council is the most effective agency through which to deliver value for that investment and is uniquely placed to lead the arts to a resilient, innovative future. Our passion for the arts, the expertise of our staff and the strength of our regional funding networks will ensure the arts grow sustainably. We know that our stakeholders value and respect the vital role that the Arts Council plays in providing expertise, commitment, partnership and leadership. We have a unique national overview combined with strong local knowledge of the arts. We are a trusted broker of public sector investment, including from local authorities, and are expert at working with the organisations we fund to leverage investment from the private sector. The Arts Council plays a pivotal role in the journey from talent development to the creative industries. Our investment is targeted at critical stages, from inspiring early arts experiences and youthful creativity, through to the transition from education into work. We support the arts infrastructure that builds, nurtures and showcases British talent. Our shared support services, regional distribution networks, and expert arts knowledge on the ground make the Arts Council a flexible, resilient and highly efficient distributor of National Lottery funds. Our ambitious programme for the London 2012 Olympic and Paralympic Games showcases what the arts can do across the nation. We have a track record of creating moments of national celebration that bring people together. We have seized the opportunity to back a range of extraordinary opportunities that will drive demand for the arts and create a lasting legacy of more people taking part and an enhanced international profile. We will continue to drive down costs while maintaining the quality and effectiveness of our advice, support and expertise. We have already reduced our administration costs across the board and we are implementing measures right now to reduce them even further. Overall admin costs will be reduced to 6.6 per cent of total income by April 2010 , with more money going direct to the frontline. The Arts Council plays a vital role as a development agency which is valued by the arts and government. The cherished arms-length principle ensures that arts funding is separate from day to day party politics.
To state your view please go to: www.artscouncil.org.uk/consultation.
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Male co-presenter wanted for a new television series!
Are you aged 17-25 with a keen interest in conservation, the environment and animals? Do you think you are expressive and photogenic? Will you be available between 10th and 15th May for the filming? Then please send a photo with a short biography to ram...on@remark.uk.com and we will be in touch if you are shortlisted for an audition! ALSO WANTED: Presenter for a new television series! Are you aged 25-35 with a keen interest in science? Do you relate to young people well? Do you consider yourself expressive? Will you be available the end of May and second week of June? Then please send a photo with a short biography to ramon@remark.uk.com and we will be in touch if you are shortlisted for an audition!
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Youth Theatre Leader wanted
Collective Encounters, a Liverpool based theatre company, is seeking an experienced and dynamic Youth Theatre Leader to run weekly workshops and outreach activities with young people from Liverpool. As Youth Theatre Leader will you work in conjunction with the Artistic Director to plan an exciting programme, which aims to develop performance skills, and explore key issues which matter to them. You will have excellent workshop skills, experience of directing shows with young people, and ideally knowledge of the Youth Arts Award. For more information and an application pack please contact Anna Maxwell on 0151 291 3887 or e mail info@collective-encounters.org.uk. Deadline for applications 26th April 2010. This is a permanent contract with an expected start date of 1st June 2010. 12 hours per week, 52 weeks of the year. £6500 per annum, subject to tax and national insurance contributions. Holiday: 25 days pro rata
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Feedback
Tate Liverpool is looking for adult participants to offer feedback periodically on its exhibitions and facilities so that we may ensure that what we offer is accessible to all. We are looking in particular for adults with a hearing impairment, a visual impairment, with dyslexia, and a wheelchair user. We will pay all travel expenses.
Please contact: Dawn Brady, Gallery Services Manager Tel. +44 (0)151 702 7414
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Contact International Forum
18 - 26* July 2010, Manchester, UK Contact International Forum is a unique opportunity for artists or practitioners working with young people across the world, to share ideas and ways of thinking in creating theatre by young people. The forum is a platform to discuss innovative practice and build relationships with international colleagues, as part of the Contacting the World 2010 festival. Contacting the World is Contact's pioneering international theatre exchange project for young people. This year, twelve companies from England, South Africa, Indonesia, India, Iran, USA, Jamaica, Denmark, Netherlands and Switzerland are twinned to collaborate on creating new work together. In July, over 150 young performers from all over the world will descend on Manchester for an eight day celebration of work created by young people. There are a limited number of places on the forum, participation includes: Access and contribution to a daily specialist practitioner forum, facilitated by Baba Israel, Contact's Artistic Director and CEO, Access and participation in the CTW company skills sharing workshop, Access and contribution to daily discussion forums, Tickets for all 12 CTW performances and matinee performances, Accommodation for eight days (optional), Hospitality for eight days. Local travel in Manchester. Inclusion in the final street performance (subject to funding) *Option to participate in a Youth Leadership Summit on 26th July. If you are interested in applying to be part of the forum, you can download the application form from the Contacting the World website or contact Ruth Adkins at ruthadkins@contact-theatre.org or on + 44 (0)161 274 0642 Fees for a place on Contact International Forum 2010 are: £600 + vat (without accommodation) £750 + vat (with halls of residence accommodation)
www.contactingtheworld.org www.contact-theatre.org
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European Research visit
Travel Bursary for Performing Arts Practitioners/Professionals to Lead European Research Visit: Are you...Working as an artist, administrator, manager, or in any other role in the independent performing arts sector in the North West? Do you... Want to expand your practice or professional development by working internationally? Have an idea for project or collaboration in a particular European city? Want to share your learning for the benefit of the PANDA and Leadership Lab networks? Performing Arts Network and Development Agency (PANDA) are now inviting applications from members to lead on a research and development visit to a European city. The successful applicant will be awarded a travel bursary of up to £500 to visit their chosen city this summer, accompanied by a member of the PANDA team, and will share their learning on their return.
The deadline for applications is 12 noon, Friday 16th April 2010. For more information about the bursary and details of how to apply, visit www.panda-arts.org.uk/llinternational.
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St Helen's Festival
Every year St.Helens festival attracts thousands of participants through it doors (well gates as it's in a field). We are currently looking for groups to animate the performing arts and visual arts areas of the festival and think this could be a great outreach opportunity for LARC partners to get involved! If you have an idea about maybe bringing a group down to perform or animating the days with an artist or outreach activity or workshops please send an email to owenhutchings@sthelens.gov.uk

Arts Jobs
Craft Tutors, Ministry of Craft
Closes Wednesday 30 June 2010 Ministry of Craft is now recruiting passionate and enthusiastic freelance teachers, to contribute to our popular programme of creative, informal and inspiring short courses, taught in Central Manchester. We aim to teach craft based skills in a fun yet instructive way, that enables customers to go away and try out the new skills they have learnt at home. Our tutors are from a variety of different backgrounds and no formal teaching qualifications are necessary, but proven ability in your chosen craft area will be required. In return for your skills and knowledge we can offer: Competitive freelance hourly rates of pay, Opportunity to promote your own creative work to our customers, The chance to work as part of a team of local creative craft professionals, Flexible working hours - mainly evening and/or weekend. If you are interested in developing our customer's passion for craft and feel that you can offer something original & fun for more information please download the ministry-of-craft-tutor-application-form.Once you have completed your form please email it to info@ministryofcraft.co.uk
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Get Into Reading Project Worker, The Reader Organisation
This is a dynamic and varied job requiring you to promote, set-up, establish and facilitate weekly Get Into Reading groups in order to promote well-being and good mental health for a range of community members in both Liverpool and Wirral. Client groups include Carers, people living in Care Homes, people with a range of physical or mental health problems, and members of the general population who might enjoy shared reading. You will be responsible for choosing and presenting a wide range of reading material, including poetry, and for generating free-flowing conversation as well as for addressing literary questions group members may have. In addition to well-developed literary skills, excellent social skills are necessary for dealing with group dynamics which can often be complex. You also need the confidence and enthusiasm to sell the reading for pleasure project to people for whom that may be a new and strange idea.The work will take place within libraries, community centres, social housing projects and other locations.It's not enough to just ‘like' reading: we are seeking someone with a strong academic English background: probably with a good 2:1 or 1st class degree, or, if without an English degree, someone who is able to demonstrate a powerful personal reading history. We are looking for someone who will be comfortable with Eliot, Shakespeare and Wordsworth - or at least glad to be in their company - and who is also able to wholeheartedly recommend ‘The Five People You Meet In Heaven' to a group of new readers. If you can see why this matters, apply! Key Responsibilities: Plan and deliver group reading sessions with identified client groups, Deliver group reading sessions, Develop new groups/new locations for delivery, Keep up to date records and write regular project reports, Develop publicity materials for Get Into Reading projects, such as leaflets and posters, and make written contributions for The Reader Organisation website, newsletter and other publications. Contact us for a more detailed job description, or visit: http://thereader.org.uk/job-opportunities.html
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